Umar Nizarudeen
Bhumi
The nectar that you are, bearing the stigma of death,
Disgraced, in the celestial avenues…
How cliched, the incestual Greek myth has become
– ONV, Elegy for Bhumi
Bhumi sent me many things
Toffee, slate pencil, kittens
So I wired some money
To her core
Which didn’t reach,
But a tumbler of steel, bobbed
Up and down
From primordial well
Into that abyss of metal
I paid my alms
Yet, it boiled over
With milk
And swallowed my money
The coffee ebbed
A buzz in the spiral cosmos
For a moment
Adrift in the cochlear noise
Amma!
Your emerald gills
Molten into asphalt
Splashed across the sky
The blood, of a thousand violations
I wear in my eyes.
Remember the Termites
December the 6th
Remember the termites
Devouring the foxes alive
They become poetry
Gathering pain for a long time
Biting for eons
Then they realise,
There is poetry in that pain
Thought inflicted
Poesis of the soul
Micro aggression breeds itself
‘you are both micro and soft’
Giggles
Scabs, sores, termite-bites
Encompass a cosmos
Of hurts-unreal/real
Felt/unfelt
Umwelt und Innenwelt
Are you satisfied?
Shouts the bloody gladiators
Of termite arena
Here today, and
Gone tomorrow
ON Tabassum, My Daughter Stumbling Upon the Word ‘Consummation’ in a Dictionary
Not for her
Ethereal glimpses
Of roseate morning skies
Not for her
Tridasan vihaya, the
Crimson trails on the parting of her hair
Not for her
Frolicsome
Dips in the pond
Not for her
The pride of erect breasts
Kissed by weary garlands of marigold
Not for her
The insolence
Of tender limbs
Not for her
The tender
Companionship of the blue god
Not for her
The all-consuming void
Atop mount Kailasha
Not for her
Whirlings of the Darvish, or
Perversions of Foucault, Derrida
Not for her
Swan lake on
Moonlit nights
Not for her
Rose gardens of Shalimar,
The love of Majnoon
Not for her
The Carrefours
Of Shahin Bagh and Taksim
Not for her
Secret millennia
Of Amazonian insurrections
Not for her
Tombs and minarets of
Marble and clay
Not for her
Gazelle-eyed flights
Across plastic borders
Not for her
The insouciant grappling
Of tiger cubs
Not for her
The cosmic dance of
Black hips
Not for her
The flashing eyes and
Slipping drapes
Not for her
The luminous bazaars
Of Scheherazade
Not for her
The jouissance
Of clickety fingers
Not for her
The frolicsome Eid
Of a thousand full moons
Not for her
The adolescent devotees
Of CR7
Not for her
Feigned anger
Of reunions
Not for her
Dreaming steeples
Of incunabula
Not for her
The vermillion of freshly
Wiped tears
Not for her
The pollen grains
Of Behzad and Hafiz
Not for her
The mystic routes
Of Baghdad
Not for her
The miracle of
Jerusalem
Not for her
The blue mosque
Or the red one
Not for her
The pools of emerald
And jasper
Not for her
Stolen kisses
On the corniche
Not for her
Simmering anger
Of the dark-eyed goddesses
Not for her
The raging pyres
Of sacrificial suicide
For Her,
Consummatum est.
UMAR NIZARUDEEN is with the University of Calicut, India. He has a PhD in Bhakti Studies from the Centre for English Studies in JNU, New Delhi. His poems and articles have been published in Vayavya, Muse India, Culture Cafe Journal of the British Library, The Hindu, The New Indian Express, The Bombay Review, The Madras Courier, FemAsia, Sabrang India, India Gazette London, Ibex Press Year’s Best Selection, and also broadcast by the All India Radio.
SUDESHNA CHATTERJEE KUMAR, the illustrator, currently a Doctoral Candidate in the Department of Architecture and Regional Planning in IIT Kharagpur, identifies as an abstract expressionist and an architect and urban planner as well as a sustainability scientist in the making. For Sudeshna, the essence of her art lies in the expression of interactions and the emotions they evoke using different depiction techniques.
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